Lollini, Massimo

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https://hdl.handle.net/1794/9932

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Browsing Lollini, Massimo by Author "Lollini, Massimo"

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    Il vuoto della forma. Scrittura, Testimonianza e Verità
    (Marietti, 2001) Lollini, Massimo
    The book examines the formation of a philosophical and religious idea of testimony in antiquity by focusing on some selected texts from Plato, the Bible and Augustine. Then it studies the emergence of the literary notion of testimony by analyzing crucial works by Dante and Petrarch. The modern and contemporary part of the book concentrates on the philosophical notion of testimony developed by Emmanuel Levinas and on the “testimonies” of important writers of the XXth century such as Renato Serra, Luigi Pirandello, Antonio Gramsci, Italo Calvino, Primo Levi and Paul Celan.
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    Intrecci mediterranei. La testimonianza di Vincenzo Consolo
    (Italica, 2005) Lollini, Massimo
    The essay studies the relationship between the sea and the orientation towards the infinite, between the sea and war that is established in Greek culture. Vincenzo Consolo in his writings reflects on the ecological and political disasters occurring in the Mediterranean basin and reinterprets the myth of Odysseus as representing the archetype of the actual crisis of European episteme.
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    Le muse, le maschere e il sublime. Giambattista Vico e la poesia nell'età della "ragione spiegata"
    (Guida, 1992) Lollini, Massimo
    This book studies Vico’s reflection on the evolution of poetry, poetics and rhetoric from Renaissance to Baroque. Vico believes that poetry, having lost its mythological origins, no longer has any eternal or fixed content. This process was particularly acute in the baroque period. The emergence of the mask as an emblem of Baroque culture testifies, as Vico writes, to the loss of the perception of nature as divine substance, producing a loss both of the constitutive referentiality of language and of its supposed “natural” origin.
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    Norberto Bobbio e l'autobiografia intellettuale contemporanea
    (Il Mulino, 2007) Lollini, Massimo; Lollini, Massimo
    "Il saggio studia la disaffezione alla scrittura autobiografica in prima persona in forme che in maniera sia pure diversa manifestano la comune tendenza «oggettivante» a trasformare l'io in un Sé come un altro, come direbbe Pau Ricoeur. Il discorso viene approfondito in particolare attraverso la lettura dei testi autobiografici di Norberto Bobbio, in rapporto alIa riflessione sui grandi temi della vita e della morte di cui la sua autobiografia intellettuale si fa veicolo."