My terminal project consists of paintings composed of flowers, hands, and scribbles along with various other shapes and marks that mine the personal, the cultural, and the historical. I make paintings in the spirit of Arthur Russell’s disco outings and Buster Keaton’s absent-minded gags; they are repetitive yet improvisatory in their composition and colors. Engaging with the haphazard and the formal, I reference both vernacular and Modernist painting tropes.
