Lollini, Massimo
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Browsing Lollini, Massimo by Subject "Baroque"
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Item Open Access L'anfora di Pandora e la città del sole. Aporie dell'utopia controriformistica e immaginario utopico(Northeast Modern Language Association. Italian Studies, 1990) Lollini, Massimo, 1954-This article studies Campanella's City of the Sun in the context of Utopian imagery.Item Open Access Le muse, le maschere e il sublime. Giambattista Vico e la poesia nell'età della "ragione spiegata"(Guida, 1992) Lollini, MassimoThis book studies Vico’s reflection on the evolution of poetry, poetics and rhetoric from Renaissance to Baroque. Vico believes that poetry, having lost its mythological origins, no longer has any eternal or fixed content. This process was particularly acute in the baroque period. The emergence of the mask as an emblem of Baroque culture testifies, as Vico writes, to the loss of the perception of nature as divine substance, producing a loss both of the constitutive referentiality of language and of its supposed “natural” origin.Item Open Access Maravall's Culture of the Baroque Between Wölfflin, Gramsci and Benjamin(The Yearbook of Comparative and General Literature, 1998) Lollini, Massimo, 1954-Maravall's interpretation of Baroque culture takes advantage of Gramsci's idea of hegemony and allows one to go beyond Wölfflin's esthetic conception of Baroque style, without forgetting the importance of his analysis that was important also for Walter Benjamin.Item Open Access "Scrittura obbediente e mistica tridentina in Veronica Giuliani"(Annali d'Italianistica, 1995) Lollini, Massimo, 1954-This article studies the relationships between mysticism and autobiography in the works of Veronica Giuliani and in the context of Baroque religion and culture.Item Open Access Vico, Salvator Rosa e le maschere del Barocco(Dept. of Modern Languages, Florida State University, 1995-02) Lollini, Massimo, 1954-This article analyzes Giambattista Vico's attitude toward Baroque Culture.